I’m generally pretty anhedonic (thanks to VanderWoning.ca for this handy term). I don’t drink, I’m ambivalent to food and generally eschew behaviour-modifying narcotics. Fast, fancy cars leave me unimpressed, and while I appreciate well-made clothes, I’m neither a metrosexual nor a label-whore. In short, I’m usually unmoved by fineries.
One exception is holiday accomodation. I enjoy a really, really nice hotel. I like the valet parking, how they call me sir, how they know my name and call me by it. I like big beds and Egyptian cotton sheets with a high thread count. I like 270-degree views of surging seas or wind-swept vistas or teeming cities. In this way, I am a Taurus.
We were discussing this peculiar conflict in my characters, and I was trying to decipher this affection for luxury. Part of it is certainly about uniqueness. It’s not good enough to be at a luxurious accommodation–it must be unusual or unique. So, on the west coast, inns like the Wickaninnish Inn or Point-No-Point. In Greece, it might be Casa Delfino in Chania. Still, part of me just likes the rain room and the plush towels. What’s with that?
Could it possibly have to do with the fact that fancy cars, clothes, homes, and to some extent even narcotics, are all external symbols of consumerism, but a really good vacation hotel is about pleasure for the self?
You may be an ancestor of Julias Caesar?